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Papers On Film & Television
Page 179 of 197

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The Psychological Impact of Europa Europa
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5 pages. The impact of the film Europa Europa was based on the psychology of survival. When we are cornered and face imminent death, the human psyche will respond in ways heretofore unknown to us; we will do whatever it takes to survive because an inner psychological need takes over. The survival instinct, as evidenced by this film, can cause us to do things we never would have believed we would do. Bibliography lists 2 sources.
Filename: JGAfilm.rtf

The Psychology of Relationships in “Fried Green Tomatoes”
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A 6 page paper which examines how the characters relate to each other in terms of connections, relational functioning, mutuality, interpersonal dynamics, and motivation. No additional sources are used.
Filename: TGfriedgr.rtf

THE PURPLE ROSE OF CAIRO: THEME OF REALITY VERSUS FANTASY
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This 5 page paper discusses Woody Allen's movie, The Purple Rose of Cairo and the theme of reality versus fantasy. Examples are given from the movie. Bibliography lists 2 sources.
Filename: MBcairo.rtf

The Question Of Leadership In The Film "The Godfather"
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10 pages in length. Running a successful family business is no different from managing a Fortune 500 corporation: They both require a certain level of organizational leadership in order to facilitate the primary objective. Examining The Godfather and the means by which it reflects many of the standard theories found in contemporary business practices compels one to draw a common denominator between Don Vito Corleone's leadership aptitude and those found within some of the most successful global businesses. Bibliography lists 4 sources.
Filename: TLCGodFthr.rtf

The Rainmaker/Novel & Movie
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A 4 page essay that contrasts and compares the film The Rainmaker (1995), directed by Francis Ford Coppola, with the novel by John Grisham, on which the film is based. The writer argues that an examination of the book and film demonstrates that the changes instituted in the character of Kelly and her interactions with the main protagonist, Rudy, epitomizes the differences between these two forms of this story. Bibliography lists 2 sources.
Filename: khrnmker.rtf

THE RELATION BETWEEN INDIVIDUALISM AND PROPERTY IN TWENTIETH CENTURY CHINA
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This 4 page paper gives a brief summary of four Chinese books/films: Xiangzi Camel, Five in the Nightclub, Budding Desires, and Cold Nights. Underlying and unifying themes examined and exampled. Bibliography lists 4 sources.
Filename: MBchfilm.rtf

The Relation Of Documentary Practices To Social Reality
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3 pages in length. Housing Problems from 1935 about the reality of British slums, Triumph of the Will from 1934 long interpreted as propaganda for Hitler's reign and The Plough that Broke the Plains from 1936 that chronicles the detrimental impact soil erosion had upon the creation of dust bowls during the Depression all illustrate how documentary television is instrumental in providing insightful and extraordinarily enlightening accounts of both an historical and personal nature. Bibliography lists 3 sources.
Filename: TLCDocuReal.rtf

The Relationship Between Melodrama And Realism In The British Cinema 1930- 1949
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This 8 page paper considers the relationship between melodrama and realism in the United Kingdom during this period of time. Dominated by Hitchcock the paper demonstrates the relationship by using one of his earlier films; 'The Thirty Nine Steps' as well as a later Hitchcock style film' The Third Man'. The bibliography cites 6 sources.
Filename: TEmelodr.wps

The Relationship of Men in Gangster Films
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This 4 page paper looks at the way men relate to one another in gangster films, particularly "Pulp Fiction." Bibliography lists 2 sources.
Filename: HVGngFlm.rtf

The Relevance Of Psychoanalysis To Feminist Film Theory
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5 pages in length. The relevance of psychoanalysis to feminist film theory addresses the long-standing oppression women have experienced within patriarchal society. This notion is easily ascertained by analyzing the differences between and among the arguments presented by Laura Mulvey in Visual Pleasure and Narrative Cinema, Mary Ann Doane's Film and the Masquerade and The Desire to Desire, as well as Gaylyn Studlar's article entitled Masochism and the Perverse Pleasures of the Cinema. Assessing the differences that exist within these works can be accomplished by explaining each argument as it relates to the other writings. No additional sources cited.
Filename: TLCfemps.wps


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