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Papers On Film & Television
Page 171 of 197

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THE GLOBAL POPULAR AND THE PLEASURES OF VIEWERS
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This 10 page film theory paper discusses the issue in Simon During's book in regard to popular global culture. Total Recall and Blade and exampled. Bibliography lists 5 sources.
Filename: MBduring.rtf

The Godfather: Cinema and History
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A 6-page paper on the film The Godfather and its social, political, economic and cultural relationship and commentary on trends at the time it was made, both explicit and implicit. Included are it s depictions of class, race and gender. Lists 3 sources.
Filename: khgodfa.wps

The Gods Must Be Crazy/Critical Response
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A 4 page film review that critically analyzes this picture, focusing on how it portrays technology. The writer argues that it can best be understood as a fable against technology. Examination of this film shows that the anti-technology theme is pervasive throughout the film. Considering this agenda, the film's portrayal of the "little people" of the Kalahari Desert has to be taken with a grain of salt, that is, with a healthy dose of skepticism. No additional sources cited.
Filename: khxi.rtf

The Golden Age of Disney
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This is a 3 page paper which examines the Golden Age of Disney and its demise as a result of the animators's strike of 1941. The bibliography has 2 sources.
Filename: JHGold.rtf

THE GRADUATE AND LIFE IN THE 1960’s
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This 6 page paper analyzes the film, The Graduate by Mike Nichols. Synopsis, character analysis, themes, symbolism, cinematography, quotes, all offered, as well as a comparison of the film to life in the sixties. Bibliography lists 2 sources.
Filename: MBgrad.rtf

The Graduate and Rushmore Compared
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This 5 page paper looks at these two coming of age films made in different eras. Similarities and differences are noted. Bibliography lists 3 sources.
Filename: SA049flm.wps

The Great British Farce
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This 25 page paper looks at the development of the British Farce in the 1960's. The paper starts by considering what it is that makes us laugh, and uses the ideas for Freud and Bergson as a framework. The paper then goes on to look at the way in which the culture and social conditions influenced the production of comedy and farce in the United Kingdom. The paper then looks at the way in which all of these factors come together in the films of Joe Orton. The bibliography cites 15 sources.
Filename: TEbrtifc.wps

The Green Mile
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This 11 page paper provides an overview of the characterizations and narrative style of The Green Mile. This paper outlines some of the elements of the film as well as Stephen King's novel. Bibliography lists 5 source.
Filename: MHGreenM.rtf

The Green Mile - A Review.
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(5 pp) . If you are not a Stephen King fan, and see his name in the credits, buck up -take a few courage pills, with your popcorn, and go to see the movie anyway. . The setting of a Louisiana prison in the days of striped suits and chain gangs, is not displayed as the movie begins, but rather we see an older man who doesn't sleep well at night any more; his long walks and an old clip of Fred and Ginger dressed in their finest. The movie dissolves "Paul" into tears. As a method of release of his emotions, he begins to tell his story to a friend, and there our true story begins: of men who have the courage to show their humanity and humor in the most negative of environments - death row.
Filename: BBgrmile.doc

The Hero’s Journey and Archetypes of “The Godfather”
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This 6 page report discusses the 1972 movie “The Godfather” and the ways in which the movies of Francis Ford Coppola’s “Godfather” epic serve as an example of the ways in which the style and form of a movie often follows the most basic of classic storylines. In them, modern audiences experiences the journey of the hero which parallels many of the epics of ancient times. Bibliography lists 2 sources.
Filename: BWgfhero.rtf


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