ESSAYS -
LIST OF AVAILABLE ESSAYS ...
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Stage and Television Adaptations of Arthur Miller’s “Death of a Salesman”
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A 7 page paper which compares and contrasts the original 1949 stage production with the 1985 TV-movie within the literary contexts of plot, theme, setting, and character. Bibliography lists 6 sources.
Filename: TGdos.rtf

Stagecoach
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This 3 page paper examines the central conflict of the film Stagecoach (1939), the climax, resolution and one point of view shot. Bibliography lists 2 sources.
Filename: HVStage.rtf

Stanley Kubrick's "Full Metal Jacket": Using The Vietnam War To Expose Violence, Sexism And Racism Inherent To American Society
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5 pages in length. Stanley Kubrick's "Full Metal Jacket" illustrates the manner by which violence, sexism and racism features so prominently in human nature, with particular emphasis upon American society. Following the thematic example that focuses upon similar filmatic images of the Vietnam War mentality, Kubrick provides a harsh realization of man's inhumanity toward his own species, with an underlying subplot that criticizes how various populations are perpetually unable to live harmoniously. Clearly, there is no question to the primary theme of power and control that runs through the movie; however, Kubrick also makes a strong social statement that outwardly ridicules the extent to which human nature has sunk as a rational, civilized species. No additional sources cited.
Filename: TLCFulMt.rtf

Stanley Kubrick's The Shining and A Clockwork Orange
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This 5 page paper that provides an overview of the significant technical and formal elements in The Shining and A Clockwork Orange and then assesses consistencies in the developments of the Kubrick's works. Bibliography lists 3 sources.
Filename: MHclockw.doc

Stanley Kubrick’s “Full Metal Jacket” and the Combat Film Genre
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A 5 page paper which analyzes this film in terms of how it represents the combat genre, specifically in terms of story pattern, stereotypical characters, icons, basic conventions, and social functions in order to determine whether or not the film conforms or differs from established cinematic expectations. Bibliography lists 6 sources.
Filename: TGfmj.rtf

Star Wars and Symbolism
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A 2 1/2 page paper which examines some symbolic and/or psychological/sociological terms as found in the Star Wars Trilogy. The film Wizard of Oz is also mentioned. No additional sources cited.
Filename: RAstarw.rtf

Star Wars, Episode II: Relation With Ancient Greek Mythology And Its Heroes
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6 pages in length. One of the most prominent literary motifs of mythology is that of power and the tragic hero. Examining the fundamental interpretation of Star Wars, Episode II, the student will find that this film also struggles with the concepts of power and the tragic hero, as well. It may appear as quite contrary in nature to have two such divergent literary approaches upon which to draw the same conclusion, however, it becomes much more acceptable when one realizes that beneath all the garishness associated with heroic deeds, the protagonist is still just one being who is in constant struggle with his own existence. Bibliography lists 2 sources.
Filename: TLCStarW.rtf

Steven Spielberg
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A 2.5 page paper which examines the work ethics of the successful film director. Bibliography lists 6 sources.
Filename: TGspiel.rtf

Steven Spielberg’s A.I.; Is David A Conscious Being?
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This 4 page paper considers David, the main character from Steven Spielberg’s film A.I. The paper examines his behaviour and reactions to determine if he could be classified as a conscious self aware being, or his actions and reactions are merely a result of his complex programming and artificial intelligence. The paper draws form a range of arguments to explore this subject. The bibliography cites 3 sources.
Filename: TEAIdavd.rtf

STEVEN SPIELBERG: DRIVE AND MOTIVATION
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This 3 page paper discusses the successes, drives and motivations of Steven Spielberg in regard to his career as a director. Bibliography lists 4 sources.
Filename: MBsteven.rtf