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Papers On Film & Television
Page 120 of 197

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Metropolis/ anime version
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An 8 page review of Japanese director Rintaro's animated film Metropolis. The writer particularly discusses the symbolic significance and uses of the two media that were used to compose the film -- 2d traditional cel animation for the people and 3d computer generated animation for the backgrounds and settings. Bibliography lists 4 sources.
Filename: khanimet.rtf

Mexican Broadcast History
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A 4 page paper which examines the history of Mexican Broadcast History. Bibliography lists 1 source.
Filename: RAmxtv.rtf

Mexican Film/Maria Candelaria
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A 7 page research paper/essay that discusses Emilio Fernandez’s Maria Candelaria (1943) and how this film relates to the task of addressing the legacy of colonialism within the context of Mexican history. Mexico, as Andrea Noble points out, is fundamentally a “mestizo entity,” that is, it is the product of “the colonial encounter between Indians, Spaniards (and Africans)” (Noble 81). As such, the Mexican culture struggles to understand its fundamental nature and to express the cultural dichotomies held within this paradigm. One of the ways in which this task has been expressed is through cinema. Bibliography lists 5 sources.
Filename: khmexmc.rtf

Michael Collins in Film & Historical Fact
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A 16 page paper which examines the relationship between the presentation of facts in Neil Jordan's 1996 film on the Irish revolutionary, Michael Collins, and the historical record of his life to determine whether or not the movie is an accurate depiction. Bibliography lists 13 sources.
Filename: TGcolins.rtf

Michael Corleone as the Psychological Center of the Hospital Scene
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This 4 page paper discusses the way in which the Michael Corleone character becomes the psychological and emotional center of the scene in the hospital in “The Godfather.” Bibliography lists 2 sources.
Filename: HVpsyscn.rtf

Michael Crichton/Lost World
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A 3 page essay that contrasts and compares the movie The Lost World with the original book by Michael Crichton. The writer argues that the film, not surprisingly, concentrates on the visual aspects of the story -- heart-stopping scenes where the main characters have to run for their lives from very real-looking dinosaurs. In the book, Crichton goes into more detail on the science behind the story, introducing the reader to the latest theories in paleontology as well as complexity theory in mathematics. Yet, despite minor changes in plot, it is basically the same story in each format. No additional sources cited.
Filename: khmclw.rtf

Michael Cunningham's "The Hours" - Virginia Woolf
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3 pages in length. The dichotomy of searching for oneself while at the same time struggling against one's demons represents the foundation upon which Virginia Woolf's character exists in Michael Cunningham's The Hours. The extent to which Woolf endures an internal battle to free herself of such self-imposed limitations is both grand and far-reaching; that she is influenced by the other two women in the film speaks to the value of external inspiration when one is grappling with life-altering quests. No bibliography.
Filename: TLCTheHours.rtf

Michael Mann's Movie Adaptation Of "The Last Of TheMohicans"
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5 pages in length. The 1992 movie version of James Fenimore Cooper's "The Last of the Mohicans" was directed by Michael Mann and starred Daniel Day-Lewis, Madeleine Stowe, Steven Waddington, Russell Means and Eric Schweig. As an epic about human conflict, the movie addresses all the necessary elements of social, political and spiritual concern required for such a production; however, the grandiose spectacle of Hollywood film making abilities cannot mask the stereotypical Native American imagery blatantly portrayed in this movie. No additional sources cited.
Filename: TLCMmann.doc

Michael Medved's "Hollywood Vs. America"
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6 pages in length. With astute insight and compelling perceptiveness, Michael Medved brings out the hidden – and not so hidden – backlash that popular culture in general and Hollywood in particular have wreaked upon contemporary society. His treatment of this often-controversial subject matter delves deeply into the idiosyncratic components that Hollywood and the entire essence of popular culture have unduly influenced generation after generation, serving to catapult the notion of personal and social responsibility entirely off the map of humane existence. Clearly, the detrimental impact that Hollywood and popular culture have had upon the masses is more than superficial according to Medved; rather, this power has rendered society a reflection of its existence. Bibliography lists 10 sources.
Filename: TLCmdved.wps

Michael Moore and His Critics
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This 3 page paper discusses the logical fallacies to be found in some of the criticism leveled at Michael Moore’s films. Bibliography lists 5 sources.
Filename: HVMoore.rtf


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