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Papers On Film & Television
Page 119 of 197

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Mel Gibson’s “The Passion of Christ” and the Bible
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A 6 page paper which compares and contrasts Mel Gibson’s film “The Passion of Christ” with the Bible. Bibliography lists 5 sources.
Filename: RAmel.rtf

Mel Gibson’s The Passion of the Christ
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A 7 page research paper that describes and analyzes the influences in Mel Gibson’s film The Passion of the Christ. The writer discusses how the film differs from gospel and historical accounts and then focuses on where Gibson obtained information on scenes that differ from the gospel stories of the Christ’s betrayal, arrest and crucifixion. The writer also points out aspects of Hollywood conventions that are in the film. Bibliography lists 3 sources.
Filename: khmgpoc.rtf

Melanie in “The Birds”
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A 7 page paper which examines the character of Melanie in Alfred Hitchcock’s “the Birds.” The paper focuses on her ideology as it relates to that of the director in terms of presenting a successful film. The paper uses Understanding Movies by Louis Giannetti.
Filename: RAbirds.rtf

Melodramatic Conventions and Jane Campion’s Movie “The Piano”
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This 7 page report discusses director Jane Campion’s 1993 movie “The Piano.” Looking at “The Piano” from those supposed “perspectives” of melodrama, it is important to understand that “The Piano” is a movie in which the constraints of the movie, just as the constraints of society, take on a completely different set of rules and parameters than what would be assumed to be the case if the story took place in the “usual” guidelines of “polite society.” And yet, those same guidelines are also bent to suit the use of melodrama in the movie. Bibliography lists 7 sources.
Filename: BWchmpin.wps

Memory & Loss Evoked by Photographic Images in 'La Jetee' (1962)
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A 5 page paper which examines a sequence comprised of still photographs used by Chris Marker to make the 1962 film, 'La Jetee,' and how each evokes ideas of memories and loss to determine in what way each medium is capable of dealing with such concepts. Bibliography lists 6 sources.
Filename: Lajetee.wps

Menace II Society Analysis
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An 11 page research paper that examines Allen and Albert Hughes's film Menace II Society. As independent filmmakers the Hughes brothers use film narrative in ways that differ markedly from large-scale studio productions, particularly in regards to how Hollywood has traditionally portrayed the lives of young African American males. This examination of Menace II Society looks at this film, first of all, within the overall context of black independent filmmaking, but also from both a formal and industrial critical perspective. Bibliography lists 12 sources.
Filename: khmiis.rtf

Metaphysics and Epistemology in "The Matrix"
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A 3 page paper which discusses how the movie "The Matrix" touches on aspects of metaphysics and epistemology. The movie is essentially a tale of metaphysics and epistemology for it takes the viewer on a journey of enlightenment regarding reality and one man's struggle to know. No additional sources cited.
Filename: RAmatrix.wps

Methodology Used in An Inconvenient Truth
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This 3 page paper talks about the problem of using Powerpoint or even Keynote, the program used in Gore's film. The best ways of presenting information are discussed.
Filename: SA711pp.rtf

Metropolis and It Happened One Night
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A comparison between Lang's Metropolis and Capra's It Happened One Night, with particular reference to the importance of socio-economic factors in the two narratives. Bibliography lists 3 sources
Filename: JLmetrop.rtf

Metropolis v. Gold Diggers/Silent v. "Talkies"
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A 5 page research paper that examines the transitional period between silent film and "talkies." Metropolis (1926) and Gold Diggers of 1933 are two films that stand on either side of pivotal moment in cinematic history. The writer discusses what was lost and gained with the addition of sound. Bibliography lists 4 sources.
Filename: khmv.g.rtf


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