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Papers On Film & Television
Page 111 of 197

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Kieslowski's Three Colors Trilogy: An Analysis of White and Blue
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This 8 page paper examines the trilogy that uses three symbolic color elements. The plots and themes from White and Blue are explored. The focus of this paper is on the death/transformation/rebirth experience that is seen in each of these films. No additional sources cited.
Filename: SA418Tri.rtf

Kindergarten Cop; The Portrayal of Learning Theories
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This 9 page paper examines the 1990 film Kindergarten Cop directed by Ivan Reitman and starring Arnold Schwarzenegger. The paper looks at how theories of learning are portrayed in the film, including classical and operant conditioning and the development stages of the ideas of Erik Erikson. The bibliography cites 5 sources.
Filename: TEkinderc.rtf

King Arthur, As Portrayed in Historical Fact, Celtic Legend, and Literary Fiction
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A 5 page paper which examines characteristics, beliefs, and behaviors of the ruler of Camelot, relying primarily upon his depiction in Alan Jay Lerner and Frederick Loewe's 1960 musical (and 1967 film), "Camelot," based upon T.H. White's book, "The Once and Future King." Bibliography lists 4 sources.
Filename: TGarthur.wps

King Vidor's The Crowd
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This 10 page paper provides a plot and character analysis of this 1928 silent film. The film is discussed in the context of the day as well as in terms of contemporary life and film. Bibliography lists 8 sources.
Filename: SA014Crd.rtf

Kinship and Capitalism in Francis Ford Coppola’s “The Godfather”
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This 7 page report discusses the series of stories that made up Francis Ford Coppola’s “Godfather” epic serve as an example of the ways in which the style and form of a movie is one of its most determining characteristics. With the “Godfather” stories, an entire culture was supposedly represented and defined. Millions of movie goers came to believe they now had an insight to the world of Mafia families and their ruthless social and economic behaviors. And yet, the most important issue was still family (with the occasional profit/loss statement thrown in). Bibliography lists 4 sources.
Filename: BWgodcap.rtf

Korean Film Industry
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A 6 page paper which examines how the Korean film industry has been transformed in recent years, achieving success both domestically and internationally, discusses reasons for the turnaround, compares the Korean experience with Japanese and Chinese experiences, and considers the role Hollywood has played in the fortunes of Asian (Korean, Japanese and Chinese) cinema. Bibliography lists 7 sources.
Filename: TGkorcin.rtf

Kubrick/2001, A Space Odyssey
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A 6 page essay that examines the film 2001: A Space Odyssey (1968) directed by Stanley Kubrick. The writer begins by reviewing the film and then offers genre, auteur, thematic, cultural and theological criticism. Bibliography lists 2 sources.
Filename: kh2001.rtf

Kubrick/The Shining
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A 7 page essay that discusses the 1980 film, The Shining. In this film, director Stanley Kubrick added fresh dimension to the horror film by reinventing many of the conventions of that genre. First of all, Kubrick offers a slow-paced script that builds tension slowly and in subtle, unexpected ways. In many cases, he defies conventions. For example, Kubrick filmed many of his film's most terrifying scenes in bright daylight or scenes that were brightly lit (Dirks). Unforgettable images build tension as the narrative portrays a man's descent into insanity. The psychological disintegration of the protagonist, Jack Torrance, is portrayed via Kubrick's use of camera angles and effects, as well as the cumulative effect of the other cinematic characteristics of the film. While the writer primarily discusses Kubrick's use of the camera, thematic issues are also discussed. Bibliography lists 2 sources.
Filename: khkubshi.rtf

Kurosawa's Throne Of Blood
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This 5 page paper looks at the movie, Throne of Blood, directed by Akira Kurosawa in terms of the use of the Noh theatrical tradition within the movie. No additional sources are listed.
Filename: KTkurotb.wps

Kurtz from “Heart of Darkness” and Gilgamesh :
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A 3 page paper which compares Kurtz, from the film “Heart of Darkness” based on Conrad’s novel of the same name, and the ancient character of Gilgamesh. Bibliography lists 1 source.
Filename: RAkurgil.rtf


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