ESSAYS -
LIST OF AVAILABLE ESSAYS ...
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Examining Quentin Taratino's film Jackie Brown by the "isms."
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(5 pp) As a post-modern artist, or film-maker, Quentin Tarantino has no problem using whatever parts or pieces of society which he thinks will enhance his films. That is not to say that he believes society can any longer be viewed as a whole, and singularly goal-orientated group. The major fragments Tarantino uses are alienation and pursuit of money, which can be labeled neo-marxism. Thesis: Quentin Tarantino uses a post-modern framework to show us characters with a neo-marxist philosophy. Bibliography lists 4 sources.
Filename: BBqtinjb.doc

EXAMPLES OF MASCULINITY AS PORTRAYED IN 1950’S FILM
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This 11 page paper discusses the portrayal of masculinity in the 1950's as depicted in two films: All that Heaven Allows, and Far from Heaven. Bibliography lists 10 sources.
Filename: MBfilmhev.rtf

Existentialism in Film (Nights of Cabiria)
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This 5 page paper examines existentialism and how it plays out in this 1950s Fellini film. The theme of predestination is discussed. Bibliography lists sources.
Filename: SA314Cab.rtf

Existentialism in Film (Vanishing Point)
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This 5 page paper examines existentialism and how it plays a role in this 1971 film about a man on a mission to deliver a car. The possibility of the after life is discussed as well as the meaning of life. The concept of time is accentuated and the film's symbolism is explored. Bibliography lists 3 sources.
Filename: SA314VP.rtf

Existentialism: Sartre and "Taxi Driver"
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A 5 page paper which discusses Sartre's "Nausea" as it involves existentialism and then presents an examination of the film "Taxi Driver" as it applies. Bibliography lists 3 sources.
Filename: RAsartrtx.wps

Expressionism in Film
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A 4 page essay in which the writer first addresses the topic of Expressionism, focusing on the Cabinet of Dr. Caligari, and then discusses how this legacy applies to 2 later films, Fritz Lang’s M and Alfred Hitchcock’s Spellbound. Bibliography lists 6 sources.
Filename: khexfilm.rtf

Expressionist Painting and “The Cabinet of Doctor Caligari”
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An 11 page paper which examines the focus on expressionist painting in the film “The Cabinet of Doctor Caligari.” Bibliography lists 6 additional sources.
Filename: RAgrmflm.rtf

Eyes in Film
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A 4 page essay that discusses eyes and vision in three films, Being John Malkovich (1999, directed by Spike Jonze), Vertigo (1958, directed by Alfred Hitchcock), and Rear Window (1954, also directed by Hitchcock). In these films, the camera position is frequently crucial, as vision, that is, what the character sees, is an integral part of the film's premise. Therefore, the camera angle is expertly used so that it enhances this thematic perspective. Additionally, in all three films, there is an emphasis on eyes, close-ups of eyes that naturally lead to an association with the audience between eyes, vision and the camera as a means of seeing what the character sees. Bibliography lists 3 sources.
Filename: kh3eyef.rtf

Fahrenheit 9/11
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A 5 page review of the documentary Fahrenheit 9/11. bibliography lists 2 sources.
Filename: RAf911.rtf

Faith In Films: Wise Blood And The Apostle
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Both The Apostle and Wise Blood are movies about faith, although they are much different types of faith. This 10 page paper explores three elements of comparison between the two movies and, or, the novel by Flannery O'Connor. Bibliography lists 7 sources.
Filename: KTmovrel.wps