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Papers On Film & Television
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Crime and Film: “Monster”
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A 3 page paper which examines the 2003 film “Monster” from a crime perspective. Bibliography lists 1 source.
Filename: RAmnster.rtf
CRIME AND PUNISHMENT AS REVEALED IN THE MOVIE INDUSTRY
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This 8 page paper discusses the views of crime and punishment in four films: Dead Man Walking, The Crucible, Requiem for a Dream, and Paradise Lost. Bibliography lists 4 sources.
Filename: MBcrpnsh.rtf
Criminological Theories and Oliver Stone’s “Natural Born Killers”
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A 5 page paper which analyzes Oliver Stone’s 1994 film within the context of such theories as criminological determinism (biological, psychological, social), specifically concentrating on the characters Mickey and Mallory, their criminal conduct, and the possible reasons behind this behavior. Bibliography lists 10 sources.
Filename: TGnbk.doc
Critical Analysis & Review of Stanley Kubrick's Final Film, "Eyes Wide
Shut"
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A 5 page paper which analyzes and reviews Stanley Kubrick's final
film, "Eyes Wide Shut," specifically considering plot, theme, director
Kubrick and his approach to the story, and use of cinematic techniques.
Bibliography lists 6 sources.
Filename: TGskeyes.wps
Critical Analysis of “All About Eve” (1950)
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A 6 page paper which provides a cinematic analysis of Joseph L. Mankiewicz’s classic film. Specifically considered are the portrayal of the role of women, different representations of women, the film’s genre, what was happening in society when the film was made, evidence of repressed female sexuality, how the traditional patriarchal system is threatened, and the male gaze. Bibliography lists 5 sources.
Filename: TGalleve.rtf
Critical Overview of Oliver Stone's Historical Film, "JFK"
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A 23 page paper which examines how Oliver Stone's 1991 film, "JFK," was a form of dramatic expression which presented itself as a historical docudrama,
emphasizing the collective public suspicion aroused the so-called factual findings of the Warren Commission's report on the assassination of President John F. Kennedy. Specifically considered is whether or not a film like "JFK" shapes history, if such a film can adequately 'make' history, if the film should be considered as a product of the historical process or as an artistic expression of history, whether or not the filmmaker has responsibilities as to historical accuracy, or is allowed to use "artistic license," and the challenges confronting filmmakers and historians concerning the depiction of actual events. Bibliography lists 15 sources.
Filename: TGosjfk.wps
Critics of Women in Film During the 1930s
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This 10 page paper examines this decade and not only how women were portrayed in film, but also how they were criticized. Many female actors are named inclusive of but not limited to Katharine Hepburn , Helen Hayes and Sandra Dee. There is also a decided focus on the critics. Bibliography lists 9 sources.
Filename: SA51230s.rtf
Critique Of The Film 'Citizen Kane'
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A 10 page paper discussing the cinemagraphic innovations used in the making of Welles' debut film. Near sixty years since its initial release, Citizen Kane has reconfirmed its place as one of cinema's classics and has been reviewed and discussed extensively. Whether as a result of this fascination or despite it, Citizen Kane remains a lesson by example in highly effective technique and reflects Welles' genius in perfecting methods of portrayal that have become institutionalized so many years after the release of the film. Bibliography lists 7 sources.
Filename: Citkane2.wps
Cronenberg: "A History of Violence"
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This 8 page paper discusses the concept of the auteur director; movie genres; and Cronenberg's handling of the film "A History of Violence." Bibliography lists 10 sources.
Filename: HVHisVio.rtf
Cult Films
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This 6 page paper presents a comparison of the cult films,
Rocky Horror Picture Show and Plan Nine From Outer Space. Bibliography
lists 2 sources.
Filename: KTcultfm.doc
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