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Papers On Film & Television
Page 66 of 197

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Court Martial: A Few Good Men
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A 4 page paper which examines and discusses the court martial system as seen in the film A Few Good Men. No sources cited.
Filename: RAcurm.rtf

Courtly Love in “Shakespeare in Love”
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A 10 page paper which examines the ideals of courtly love as it is represented in the film “Shakespeare in Love.” Bibliography lists 3 additional sources.
Filename: RAshklv.rtf

Cowboy Mentality and the Film, “The Magnificent Seven” (1960)
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A 5 page paper which evaluates how the John Sturges’ film does and does not reflect the cowboy mentality embodied by Theodore Roosevelt in terms of theme examination, scenes representative of American culture, portrayal of women and ethnic minorities, and other subtle nuances in dialogue and character. Bibliography lists 3 sources.
Filename: TGmagseven.rtf

Cradle Will Rock
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An 8 page analysis of this film. Every theatrical production and film recreates an alternate reality in order to provide the backdrop to form of storytelling that incorporates visual elements. The following analysis of Tim Robbins’ 1999 film Cradle Will Rock discusses the theatrical and cinematic elements that make up this compelling film. No additional sources cited.
Filename: khcwrock.rtf

Crash & Intercultural Communication
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A 5 page essay/commentary on the movie Crash. The writer first offers a 1 page plot summary, then discusses the movie's themes for 3 pages before offering a 1 page personal observation. No additional sources cited.
Filename: khcraic.rtf

Crash, A Central Theme
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A 3 page essay that discusses the central theme of this film. The central theme in the film Crash (2005, directed and written by Paul Haggis) is racism, as all of its ensemble of characters whose lives crash into each other over the course of narrative harbor some sort of racist attitude to greater and lesser degrees. Some characters, such as Jean, a white woman, is overtly racist. Others, such as Graham, an African American police officer, are less racist, but still convey aspects of racism. No additional sources cited.
Filename: khcrshct.rtf

Crash, A Cinematic Parable
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A 3 page film review of the movie Crash. Parables are narratives that convey a moral meaning that usually encompasses specific aspects of the nature of a society and its moral and social norms. In the film Crash (2005, directed by Paul Haggis), the audience is presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole. This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parable's meaning and its relevance to contemporary American culture. No additional sources cited.
Filename: khcrash2.rtf

Crash: Film Analysis
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A 7 page paper which analyzes the film Crash. Bibliography lists 5 sources.
Filename: RAcrash1.rtf

Creating the Film Version of Angela's Ashes
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5 pages in length. This creative endeavor is an explanation of why the book by author Frank McCourt, Angela's Ashes is worthy of being made into a screenplay. Included will be the essential elements for the making of a successful film version, as well as reasons that the book has the context that would make it a highly engaging screenplay. Finally, there is a creative and imaginative question and answer section between the author of the book and the interviewer, concerning the content of the book in light of the film that is being made. Bibliography lists one source. JGAashes.wps
Filename: JGAashes.wps

Creative Color in "Pleasantville"
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(5 pp) The plot of this 1998 Gary Ross flic begins in the nineties in black and white film; through a series of events two nineties teenagers are transported into the fifties world of sitcom television and, "gee whiz, Dad," and poodle skirts. After the initial despair and amazement - "I guess we are safe we are in a bowling alley, says one. The change that "Bud" and "Mary Sue" have brought would not be as powerful, if the color was not an explanation point to the action, and in fact to some degree the "visual verbage" of the action. Bibliography lists 2 sources.
Filename: BBclrplv


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