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Papers On Film & Television
Page 61 of 197

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Comparative Analysis of Soviet Filmmakers V.I. Pudovkin and Sergei Eisenstein
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A 3 page paper which examines how each director developed their respective approaches to filmmaking with a view towards creating a revolutionary new kind of cinema, and compares and contrasts their different cinematic style approaches (such as casting, editing, and narrative). Bibliography lists 3 sources.
Filename: TGpudeis.rtf

Comparative Analysis of the Book and Film Versions of John Grisham’s “The Rainmaker”
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A 5 page paper which compares and contrasts the theme and tone of the novel and film, as well as the characters Rudy Baylor and Jonathan Lake. Bibliography lists 6 sources.
Filename: TGjgrain.rtf

Comparative Analysis of the Films The American Revolution (Part I: ‘The Conflict Ignites’), Williamsburg: The Story of a Patriot, and John Adams (Part I: ‘Join or Die’)
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In ten pages this paper summarizes each film, compares and contrasts them, addresses any biases in the treatment of subject matter, analyzes the producers’ techniques, and offers the writer’s personal opinion on the accuracy of each film. One source is listed in the bibliography.
Filename: TGrevfilms.rtf

Comparative Analysis of the Play and Film Versions of David Mamet’s “Glengarry Glen Ross”
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A 5 page paper which considers what, if any, important characters from the play were omitted from the film, what major events are omitted or altered, whether or not any characters or events have been added to the film, in order to evaluate the emphasized themes and how these change affect perception of the characters. Bibliography lists 3 sources.
Filename: TGggr.rtf

Comparative Analysis of William Shakespeare's 'The Tragedy of Richard the Third' and Richard Loncraine's 1995 Film, 'Richard III'
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A 10 page paper which examines how Richard III is presented as a caricature in both the play and film versions. Bibliography lists 9 sources.
Filename: TGrichrd.wps

Comparative Cinematic Analysis of “Maid in Manhattan” and “Real Women Have Curves”
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A 2.5 page paper which examines two films of similar plots but different themes, concentrating on generational differences. Bibliography lists 1 source.
Filename: TGmaidman.rtf

Comparative Cinematic Analysis of “Mi Familia” and “Like Water for Chocolate”
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A 5 page paper which summarizes, analyzes, and compares these two Hispanic (Mexican-American and Mexican) films released during the 1990s. Bibliography lists 3 sources.
Filename: TGmilike.rtf

Comparative Cinematic Analysis of “Testament,” “The Day After,” and “Threads”
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A 7 page paper which assesses the deeper cultural meanings, assumptions and messages of these films dealing with nuclear war and its consequences. Specifically discussed are the filmmakers’ implied use of language, symbolism and imagery, the impact of each film, and ways in which each film either reflects or departs from longstanding patterns in nuclear culture. Bibliography lists 6 sources.
Filename: TGnucmov.rtf

Comparative Cinematic Analysis of Natalie Portman in “Closer” and Audrey Hepburn in “Roman Holiday”
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A 10 page paper which examines the seductive ways in which these women are gazed at by the viewer, focusing particularly upon their intimate interaction with the camera. Bibliography lists 6 sources.
Filename: TGnataudry.rtf

Comparative Cultural Analysis of Television Series’ “Three’s Company” and “Friends”
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A 6 page paper which considers two representatives of popular culture for their time periods and examines similarities and differences that point out to differences in cultural assumptions that guided their creations and compares how the works reflect varieties of cultural assumptions, stereotypes, values and attitudes. Bibliography lists 5 sources.
Filename: TGtcpals.rtf


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