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Papers On Music, Film, Television, Theater & Photography
Page 308 of 310

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Women in “Psycho" and “Alien”
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This 6 page paper compares the characters of Marion Crane and her sister Lila in “Psycho” to Ellen Ripley in “Alien.” Bibliography lists 2 sources.
Filename: HVpsyaln.rtf

Women in “Sir Gawain and the Green Knight,” Geoffrey Chaucer’s “The Wife of Bath’s Tale,” Aristophanes’ “Lysistrata,” and John Milton’s “Paradise Lost”
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A 2.5 page paper which examines the role and status of women in these literary classics. Bibliography lists 8 sources.
Filename: TGrolewom.rtf

Women in “Vertigo” and “To Die For”
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This 5 page paper compares the treatment of women in the films “Vertigo” and “To Die For.” Bibliography lists 6 sources.
Filename: HVvrtdie.rtf

Women in "Les Mains Sales" by Sartre and "Les Justes" by Camus
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A 5 page paper which discusses the roles of women in Sartre's "Les Mains Sales" and Camus'' "Les Justes." Bibliography lists 4 additional sources.
Filename: RAdirty.rtf

Women in Comedy
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This 10 page report discusses the fact that women who are now thought of as the classic female comedians or comediennes of their time offered characterizations of women that often fell somewhere between the ridiculous and the even more ridiculous. Gracie Allen was the perfect compliment to George Burns with her addled logic and baby girl voice. Lucille Ball’s exploits in “I Love Lucy” ranged from her desperate attempts to be in one of Ricky’s nightclub shows to her get rich quick schemes. Phyllis Diller was raucous in every aspect of her demeanor. Her clothing, hair, laugh, and jokes virtually screamed at her audience but she was the first female stand-up comedian. The presence of women in comedy has been expanding for decades and comediennes have come to be acknowledged as a truly unique source of humor. Bibliography lists 7 sources.
Filename: BWcomwom.wps

Women in Fellini's Films
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A 6 page research paper that analyzes three of Federico Fellini's films relative to the role that women play in these narratives. The writer argues that women in Fellini's films are not there as individuals in their own right, but rather their purpose, often their sole purpose, is to reflect and symbolize aspects of the psychic awareness of a male protagonist. Bibliography lists 1 source.
Filename: khfelfem.wps

Women in Film
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An 8 page paper discussing women's roles and status in film as an overview. This is a general paper, but it specifically addresses "The Piano," "Educating Rita," "Annie Hall" and "My Brilliant Career." It concludes that while weak women frequently can be found in the background, primary characters either begin as strong women or emerge as such by film's end. Bibliography lists 1 source.
Filename: KSwomenFilm.wps

Women in Film
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A 15 page paper tracing the role of women on screen. The writer describes the history of the portrayal of women from the 1930's to present day and concludes with a look at 'Waiting to Exhale.' Bibliography lists 8 sources.
Filename: Womeni.rtf

Women in Mozart’s “The Magic Flute”
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A 5 page paper which examines Mozart’s view of women as seen in his opera “The Magic Flute.” The paper also examines whether Mozart’s views of women are similar to those we have today. Bibliography lists 1 source.
Filename: RAFlute.rtf

Women in Othello and Fences
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A 5 page paper which examines the role of women in Shakespeare’s Othello and August Wilson’s Fences. Bibliography lists 7 sources.
Filename: RAofec.rtf


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