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Papers On Music, Film, Television, Theater & Photography
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Willy Loman as a Tragic Hero in Arthur Miller’s “Death of a Salesman”
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This is a 5 page paper discussing the concept of Willy Loman as a tragic hero. Arthur Miller’s character Willy Loman in his play “The Death of a Salesman” comes across as a tragic hero. As the tragic hero, Loman is both the bane yet the central axis of his family with whom he is unable to connect and form significant relationships. Loman’s own delusions lead to much of the tragic perception of him as it appears only Willy is unable to see how unrealistic his perceptions of his life and success really are. While Loman eventually commits suicide in a last attempt to provide money which will lead to his son Biff’s success, Loman again becomes the tragic hero as his death does not live up to his original delusions but instead favors his family with “freedom”; something they had all wished for while Loman was alive. Tutorial language is inserted throughout in square brackets to assist in writing.
Bibliography lists 7 sources.
Filename: TJLoman1.rtf
WILLY LOMAN AS TRAGIC HERO
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This paper examines Arthur Miller's play, Death of a Salesman, and attempts to determine if Willy Loman fits the profile of the tragic hero. The paper also discusses the play as a good example of a tragedy, as defined by Greek philosopher Aristotle.
Filename: MTdthsal.rtf
Willy’s Dreams: Death of a Salesman
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A 3 page paper which examines what was
wrong with Willy Loman’s dreams in Arthur Miller’s “Death of a Salesman.”
Bibliography lists 3 sources.
Filename: RAwlydrm.rtf
Wim Wenders’ “The American Friend” and Questions of the “Look”
of Place
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This 7 page report discusses German filmmaker Wim
Wenders with a focus on his 1977 movie “The American Friend.”
“The American Friend” presents a world to the audience in which
the characters reside rather than vice versa. The characters
exist in a world that is based on visual awareness and
appreciation. The appearance and role of an individual city is
considered, along with how cultures become intertwined regardless
of the differences of the cities in which the characters exist.
Bibliography lists one source other than the primary source.
Filename: BWwender.wps
Windtalkers/The Navajo Code-Talkers of WWII
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A 15 page research paper on the film Windtalkers (2002) directed by John Woo. The writer argues that Woo misses the goal of honoring the Navajo code-talkers of WWII who provided an unbreakable code based on the Navajo language that the best Japanese code-breakers could not decipher. The writer discusses Marine involvement in the production of the film and the principal premise, which is that the Marine bodyguards charged with the safety of the Navajos were under orders to kill the code-talkers if it appeared they would be captured, is historically wrong. Bibliography lists 4 sources.
Filename: khnatalk.rtf
Wit & Palliative Care
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A 10 page reaction paper to the play/movie Wit by Margaret Edson (1999). The writer discusses the themes of the Pulitzer Prize-winning play and relates its subject matter, which concerns death, dying and a terminally ill cancer patient, to the logistics of palliative care. The writer also offers considerable discussion of personal reactions to this movie, along with suggestions on how nursing students might use these observations as a guide to discussing their own reactions to this narrative. Bibliography lists 10 sources.
Filename: khwitpal.rtf
Witnesses in 'A Civil Action'
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A 5 page paper which examines how the plaintiffs’ expert witnesses were used in the screen adaptation of Jonathan Harr’s book based on a real-life Woburn, Massachusetts court case, 'A Civil Action' (1998). Bibliography lists 2 sources.
Filename: TGcivact.rtf
Witnessing Violence
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This 5 page paper discusses the play The Have-Little by Migdalia Cruz and how she uses her work to initiate conversations about violence. The paper concentrates on the character of Michi Rodriguez and her reaction to the violence she sees. Bibliography lists 2 sources.
Filename: HVWitVio.rtf
Wolfgang Mozart
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7 pages in length. One of only two surviving children out of seven, Wolfgang Mozart was born into a family full of love, support and nurturing. His musical talents were noted at quite an early age, with his father – Leopold – taking a particularly stringent approach to cultivating his budding musical abilities. Inasmuch as Wolfgang's father was a loving, but exacting, advisor, the child was showered upon with special attention and the opportunity to learn things his counterparts did not. The writer discusses Mozart's childhood as well as his composition, Messiah. Bibliography lists 4 sources.
Filename: TLCMozrt.rtf
Women as a Spectacle in Mainstream Films
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This 5 page paper considers the way that women are portrayed and used in mainstream cinema and films from the perspective of feminist Laura Mulvey. By using the 1998 film 'Wild Things' the writer illustrates the points raised that argue women are used primarily to satisfy the male gaze. The bibliography cites 2 sources.
Filename: TEwomspc.rtf
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