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Papers On Music, Film, Television, Theater & Photography
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Singing v. Speaking Voice
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A 5 page research paper that explores various aspects of voice training. The writer explores the difference between the speaking and singing voices, particularly in regards to vowel production, vocal hygiene, consequences of vocal misuse and techniques for improving the voice. Bibliography lists 6 sources.
Filename: khsing.rtf
Sir Edward Elgar
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This 5 page report discusses the English composer, Sir Edward Elgar
(1857-1934) and some of the most characteristic features of his compositions. The
Enigma Variations are specifically discussed. Bibliography lists 3 sources.
Filename: BWelgar.wps
Sir Laurence Olivier’s “Hamlet” and “King Henry V”
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This 4 page report discusses
the film versions of two of Shakespeare’s plays that were directed by and starred Sir
Laurence Olivier. Olivier was so closely associated with Shakespeare that even his final
resting place is next to a representation of “the Bard.” Such an association was due, in
great part, to his movie portrayals of King Henry, the Fifth (1944) and the first of
Shakespeare’s plays turned into a movie that was made in color) and of Hamlet (1948),
winner of four Academy Awards. Bibliography lists 4 sources.
Filename: BWlarryO.rtf
Slavery And Toni Morrison: The Interior Life
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8 pages in length. Slavery has shaped what Toni Morrison calls "the interior life" of slaves and former slaves, meaning the way in which an individual feels about himself, herself, the world, other people – with particular emphasis placed upon people of the dominant white race. Slavery has constructed the interior life of African-Americans, inasmuch as narrative style became the tradition in African-American literature. The distinctive elements of this literary style is quite easily recognized by their intensely personal attributes and quest to educate readers about racial prejudice and the tormented path each author has forcibly followed. The writer discusses Morrison's "Beloved," as well as Harriet Jacobs and Frederick Douglass's writings as they relate to the interior life. Bibliography lists 5 sources.
Filename: TLCtoni.doc
Smiley Face
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A 3 page paper which reflects on the film Smiley Face. Bibliography lists 2 sources.
Filename: RAsface.rtf
Smooth Talking & Oates's Short Story
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A 4 page essay. The writing of Joyce Carol Oates frequently addresses the predicament of being female within a patriarchal culture (Wesley 75). In her short story, "Where Are You Going, Where Have You Been?" Oates again addresses this subject in a way that focuses on the cruel initiation into the sexual realities of male domination for the story's fifteen-year-old heroine, Connie. The film Smooth Talk (directed by Joyce Chopra, 1985) dramatizes this work. In many ways, the film remains faithful to the critically acclaimed short story, however, the director chose to alter the ending and some critics found this inappropriate. However, examination of this feature of the film shows that it fits with Oates' intentions in her storytelling and is, therefore, an appropriate ending to a superb film adaptation. Bibliography lists 10 sources.
Filename: khsmtwh.rtf
So It Goes: Vonnegut and Death
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A 4 page paper which examines the relationship between Kurt Vonnegut’s Slaughterhouse-Five and the song So It Goes by Unearth concerning death. Bibliography lists 4 sources.
Filename: RAs5.rtf
Social and cultural text in British and American screenplays
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A five page paper which compares the way in which social and cultural elements influence media text in American and British screenplays, with particular reference to Pulp Fiction and Angela's Ashes.
Bibliography lists 2 sources
Filename: JLscreen.rtf
SOCIAL ASPECTS OF THE 1960’S AND INFLUENCE ON FILM
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This 10 page paper discusses the social issues which were shaping the nation and as a result affecting the types of films which were produced in the 1960's. Social aspects outlined with example films to support claims. Bibliography lists 5 sources.
Filename: MB1960film.rtf
Social Assumptions in “This is Spinal Tap” (1984)
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A 6 page paper which examines the film’s structure and devices to define the system of social assumptions the film and filmmaker seem to subscribe to, which includes ideas on race, class, gender, the nature of knowledge, interaction between individuals, and socially-held values. Bibliography lists 3 sources.
Filename: TGspinetap.rtf
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