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Papers On Music, Film, Television, Theater & Photography
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Science Fiction Films Using Apolcalyptic Representation and Presenting an Argument in Support of Authoritarianism:
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This 5 page paper discusses U.S. science fiction films and how they use apocalyptic representation to present authoritarian arugument in support of authoritarianism. This paper uses many specific film examples. Bibliography lists 6 sources.
Filename: GSSciFic.rtf
Science Fiction: Searching For God
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5 pages in length. The primary lesson to be learned from the film is that God is not a tangible destination as Sybok depicts it to be, but rather God's existence can only be measure within one's very soul. Shatner's direction in "Star Trek V: The Final Frontier" is significantly in tuned with the vastness of God's existence as it relates directly to science fiction, which is evident by his use of deviant subculture portrayals and distorted social control imagery. Bibliography lists 5 sources.
Filename: TLCscifi.doc
Scorsese to the Second Power: "Goodfellas" and "Casino"
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This 3 page paper compares Scorsese's films "Goodfellas" and "Casino" and argues that the characters in the former are more real and grounded than the glitzy Las Vegas denizens in the latter. Bibliography lists 2 sources.
Filename: HVScorse.rtf
Scorsese's "Who's That Knocking At My Door" And "Mean Streets" - Brief Analysis
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11 pages in length. Martin Scorsese holds a place in filmmaking history where very few directors/writers/actors reside, inasmuch as he has successfully tapped into a combination of perceptions to provide a unique insight into the relationships that exist between and among good, evil, humanity and the absence of spiritual sense, a contingent concept when addressing greater meanings associated with such films as Mean Streets and Who's That Knocking At My Door. Annotated bibliography lists 10 sources.
Filename: TLCScorsese.rtf
Scorsese's Urban Aesthetic
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A 9 page essay that examines film director Martin Scorsese urban aesthetic in regards to his representation of New York City in three of his films: After Hours, Mean Streets and Taxi Driver. The writer examines how the city is used in each film and argues that Scorsese portrays this environment as a nightmare vision in which a character can easily lose his way and his soul. Bibliography lists 5 sources.
Filename: khscurae.rtf
Scorsese/Gangs of New York
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A 4 page research paper that discusses director Martin Scorsese's epic drama Gangs of New York (2002), which is set in 1863, but this historical film can also be classified as a New York gangster film, just one set in another era. Dark and foreboding, the film chronicles a young man's revenge against his father's killer. The writer describes several scenes and how they relate to the film's overall meaning. Bibliography lists 3 sources.
Filename: khgony2.rtf
Scotland and Scottish Bagpipes
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A 3 page tutorial examination of Scotland and the instrument known as the Scottish bagpipes. Bibliography lists 7 sources.
Filename: RAmub.rtf
Scott Joplin & George Gershwin
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A 5 page research paper that contrasts and compares composers Scott Joplin (1867-1917) and George Gershwin (1898-1937), who were born a generation apart, but their music is intimately connected, in that jazz arose out of the legacy of ragtime, which was highly influenced by Joplin and jazz was the natural medium for the music of Gershwin. The two composers also bear other similarities. Each man had ambitions of writing art music, that is, music that would be taken seriously by music critics. Both Joplin and Gershwin enjoyed fame within their lifetimes, and their music has proven to be highly influential on subsequent composers. However, both men had difficulty having their classical works receive the due notice that these works deserved because of their association with the realm of popular music. However, ironically, both men are remembered today for the ways in which they advanced the art of popular music, taking it into new realms. Bibliography lists 7 sources.
Filename: khsjgg.rtf
SCREENPLAY ANALYSIS OF RESERVOIR DOGS/TARANTINO
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This 4 page paper analyzes the screenplay version of Tarantino's film, Reservoir Dogs. Analysis includes themes of masuclinity, narrative structure and form. Bibliography lists 0 sources.
Filename: MBrdogs.rtf
Screenwriting
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A 20 page research paper that examines the relationship between a screenplay and the finished film. The writer looks specifically at the film The Matrix, examining both the finished film, the script, and how the script changed during revision. This section is roughly 10 pages in length. Then, the writer offers an original screenplay, which is then followed by a discussion of that script. Bibliography lists 6 sources.
Filename: khscrwri.rtf
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