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Papers On Music, Film, Television, Theater & Photography
Page 227 of 310

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Rosa Klebb and Electra King; The Role of the Female Protagonist in James Bond Movies
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This 7 page paper consider two of James Bonds female protagonists and compares them in order to consider how they are representations of society at the time the film was made. The writer considers issues such as stereotyping, social expectations and the way in which equal rights and changing culture have reflected on the exceptions of, and for, women. The writer argues that these two characters demonstrate the changes, but also engender the continuing inequality of the sexes. The bibliography cites 2 sources.
Filename: TEbondw1.rtf

Rose as Protagonist: Wilson’s “Fences”
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A 4 page paper which argues that Rose, and not Troy, is the protagonist in August Wilson’s play “Fences.” No additional sources cited.
Filename: RAfnpro.rtf

ROSEMARY’S BABY AS A CULT FILM
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This 6 page paper analyzes Roman Polanski's film, Rosemary's Baby for characteristics of a cult film. Characteristics named and compared to the movie. Examples given. Bibliography lists 3 sources.
Filename: MBrmary.rtf

Rosetta (Film Analysis)
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This 5 page paper critiques the film Rosetta, discussing its entertainment value. The work is compared with the Wizard of Oz. Much attention involves the fact that the work is an artistic achievement but not entertaining. Bibliography lists 4 sources.
Filename: SA012Ros.rtf

Rowell/Thinking About Music
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A 10 page book review that summarizes and critiques Lewis Rowell's Thinking About Music, An Introduction to the Philosophy of Music (1983). The writer points out that a careful reading of the title suggests that the author does not limit himself to music, but rather places music within a philosophical framework that encompasses the entirety of Western art and culture. No additional sources cited.
Filename: khrowmus.rtf

Rowlandson & Dances With Wolves
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A 3 page essay/research paper that compares Mary Rowlandson’s seventeenth century captivity narrative to the 1990 film Dances with Wolves. On February 20, 1676, a band of Narragansett Indians attacked the home of Mary Rowlandson as part of an uprising known as King Philip’s War (Wesley 42). Rowlandson and three of her children were taken captive. Rowlandson’s account of her captivity, which lasted eleven weeks, is extremely revealing as to the mindset of Puritan settlers during this period. This narrative is vastly different from the story portrayed in the 1990 film “Dances With Wolves” (directed by Kevin Costner for Orion Pictures). Nevertheless, there are similarities between the two works in that both Rowlandson and the film’s protagonist, John J. Dunbar, both undergo a transformation, that is, a change in their worldview, due to their experiences among Native Americans. Bibliography lists 3 sources.
Filename: khrowdan.rtf

Roy Orbison/Oh, Pretty Woman
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A 5 page analysis of Roy Orbison's hit song "Oh, Pretty Woman" (aka "Pretty Woman). The writer offers a detailed musical analysis looking at such elements as melody, harmony and structure. Bibliography lists 1 source.
Filename: khroypw.rtf

Run Lola Run/Analysis
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A 5 page research paper/essay that summarize and analyzes the 1999 film Run Lola Run (directed by Tom Tykwer). The writer summarizes the film and then relates the aesthetics of Aristotle and Tim Burton to a particular scene. Bibliography lists 5 sources.
Filename: khrlr.rtf

Russes Ballet
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A 14 page paper which discusses how the Russes Ballet influenced the society of the times. During the first decade of the 1900s fashion for women was incredibly conservative, leaving almost nothing on the human body showing. With the Russes Ballet came very risqué costumes that flowed with the body, and costumes that often revealed a great deal of the body, if not complete nudity occasionally. The paper discusses the society of the time, the fashions of the time, and the changes that were soon seen in the fashion industry due to the revealing nature of the costumes seen in the Russes Ballet. Bibliography lists 10 sources.
Filename: RArusses.wps

Russian film/Burnt by the Sun
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A 7 page research paper that analyzes Russian director Nikita Mikhalkov's film Burnt by the Sun (1993). The writer argues that leftist ideology is manifested in the film largely through stylistic devices, such as symbolism and imagery, which dramatize the approaching onslaught of Stalin's purges. Bibliography lists 2 sources.
Filename: khrussun.rtf


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