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Papers On Music, Film, Television, Theater & Photography
Page 211 of 310

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Pornography Educational?
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A 4 page paper which looks at how pornography can be educational. Bibliography lists 4 sources.
Filename: RAedupy.rtf

Portrayal of Gender Identity By European Filmmakers (1920s-2000s)
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A 10 page paper which traces how gender identity is critiqued in the films “Girls in Uniform,” “Triumph of the Will,” Germany, Pale Mother,” Marianne and Juliane,” “Orlando,” “Antonia’s Line,” and “Bend It Like Beckham.” Also considered through cinematic analysis is how these films speak to a common theme of women’s experience and take into consideration the parallel developments in women’s history and European history. Bibliography lists 10 sources.
Filename: TGeurfilm.rtf

Portrayals of Asian Americans
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A 4 page essay that contrasts and compares Maxine Hong Kingston's novel Tripmaster Monkey: His Fake Book and the film Eat a Bowl of Tea. The writer argues that these works exemplify how Asian Americans, as writers and filmmakers, are changing the ways in which this ethnic group of US citizens are viewed. Bibliography lists 2 sources.
Filename: khaanf.rtf

Portraying Character on Screen
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A 3 page paper that discusses characterization in film adaptations. In a book, an author has a distinct advantage as it is possible for the writer to tell the reader what a major character is thinking and feeling. Generally, a playwright or a filmmaker tries to capture the subtle nuances of characterization, that is, what a character thinks and feels, through the interplay of dialogue, looks, and gestures in combination with the subtle manipulation of the elements of cinematography. Bibliography lists 3 sources.
Filename: khotgltr.rtf

Post-Modernism In 'Natural Born Killers'
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This 7 page paper explores how director Oliver Stone and screenwriter Quentin Tarantino used post-modernism in the 1994 film, "Natural Born Killers." Bibliography lists 4+ sources.
Filename: Natkill.wps

Postmodern Art:
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This 13 page paper compares and contrasts the postmodern work of dancer Pina Bausch and theatre practitioner Ariane Mnouschkine. This paper discusses the similarities and differences in their approach to postmodernism. Bibliography lists 5 sources.
Filename: GSPstmdr.rtf

Postmodern Dance
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This 12 page paper provides an overview of postmodern dance with a focus on Trisha Brown and Bill T. Jones. Merce Cunningham's role in the form of dance is discussed as well. Postmodernism as a concept is also defined and discussed. Bibliography lists 8 sources.
Filename: SA114pst.wps

Postmodern Style And The World Views Of Directors Danny Boyle And John McNaughton
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A 20 page paper which considers postmodernism and spirituality, whether there is a postmodern spirituality that differs from traditional and modern, its role in postmodern cinema, transcendence and the postmodern representation of violence. Specifically examined are six films by postmodernist directors Danny Boyle and John McNaughton. Bibliography lists 18 sources.
Filename: Boymcnau.wps

Postmodern Theory: Its Usefulness In Understanding The Film And TV Work Of David Lynch
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20 pages in length. Beyond the political implications of postmodernism, artistic endeavors metamorphosed as a means by which to illustrate just how grand and far-reaching the response to modernism truly was. From music to film and dance to literature, the arts reflected such transformation that artists, writers and media people of all sorts were eager to portray their interpretation. The extent to which David Lynch's contribution to and influence from postmodern theory is both grand and far-reaching; that the writer, director and actor has arguably based his entire career upon the tenets of postmodernism speaks to the importance such a movement has had upon the transformation of film and television. Bibliography lists 17 sources.
Filename: TLCDvdLynch.rtf

Postmodernism and Feminism in Jean-Pierre Jeunet’s “Amelie from Montmartre”
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A 7 page paper which examines the 2001 film from postmodern and feminist perspectives, emphasizing its postmodern characteristics and how feminism represents a form of postmodern expression, discusses how the film is part of contemporary French cinema and evaluates whether or not it complements the genre. Bibliography lists 8 sources.
Filename: TGampost.rtf


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