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Papers On Music, Film, Television, Theater & Photography
Page 179 of 310

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Marivaux/La Double Inconstance
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A 20 page essay that analyzes this play by early eighteenth century French playwright Marivaux. This examination of this 1722 play explores human relationships on various levels. While offering a funny and intriguing play, Marivaux also presents situations that force the audience to ponder what characteristics lie at the heart of a true love relationship. No additional sources cited.
Filename: khmardbi.rtf

Marlon Brando’s Life and Art
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A 5 page paper which examines how Brando’s experiences in his personal life and on the stage elevated his cinematic performances. Bibliography lists 4 sources.
Filename: TGbrando.rtf

Marriage in “A Doll’s House” by Ibsen
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A 4 page paper which examines the condition of marriage in the main characters from Henrik Ibsen’s “A Doll’s House.” No additional sources cited.
Filename: RAdllmr.rtf

Marriage in “Madame Bovary” and “Far From the Maddening Crowd”
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A 6 page paper which examines the various perspectives of marriage found in “Madame Bovary” and “Far From the Maddening Crowd.” Bibliography lists 4 sources.
Filename: RAcrowd.rtf

Marriage in William Wycherley’s Restoration Comedy, The Country Wife
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In six pages this paper examines how seventeenth-century playwright conveyed the theme of marriage in his 1675 Restoration comedy, The Country Wife. There are no additional sources listed in the bibliography.
Filename: TGwychwife.rtf

Martin Luther King Jr. and the Civil Rights Music of the 1960s
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A 5 page paper which examines the work of Martin Luther King Jr. and the Civil Rights music of the 1960s. Bibliography lists 2 sources.
Filename: RAkngmsc.rtf

Martin Scorsese’s “Goodfellas”
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A 6 page paper which provides technical information on Martin Scorsese’s popular and critically successful 1990 film, and considers what impact, if any, it made on society. Bibliography lists 7 sources.
Filename: TGgoodfa.rtf

Marxist analysis of the film Once Were Warriors
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This 4 page paper examines this 1995 film about a family that has unraveled. The protagonist is an alcoholic, but a Marxist analysis sees the cause of the social problems as attributable to socioeconomic factors. No additional sources cited.
Filename: SA433OWW.rtf

Marxist Themes in O Brother Where Art Thou?
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A 4 page essay/research paper that analyzes the Coen Brothers' film O Brother, Where Art Thou? In terms of Marxist ideology. The writer argues that the characters, uniformly, express an overwhelming concern with capitalism, money and in placing themselves within the boundaries of bourgeois society and divorcing themselves from their proletariat roots. By formulating the film's basic premise within this venue, the filmmakers serve to emphasize that the overwhelming reality of the Depression era lay in the conflict between these two classes. Bibliography lists 6 sources.
Filename: khobwat.rtf

Mary Shelley and James Whale's "Frankenstein"
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A 5 page paper which discusses Mary Shelley's original work of "Frankenstein" and the 1931 film production of "Frankenstein" by James Whale. The paper presents a discussion of each and then compares the two. Bibliography lists 2 additional sources.
Filename: RAfranke.wps


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