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Papers On Music, Film, Television, Theater & Photography
Page 164 of 310

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Jerome Robbins (1919-1998)
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This 5 page discussion considers Jerome Robbins premise, 'When you learn to move your body on a note of music, it's exciting. You have taken control of your body and, by learning to do that, you discover that you can take control of your life.' A Betomann Archive photo of Robbins teaching in West Side Story is included. Bibliography lists 5 sources.
Filename: BBdanceR.doc

Jesuit Missions and Colonialism in the New World (South America) as Depicted in Roland Joffe’s 1986 Film, “The Mission”
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A 6 page paper which evaluates whether or not the film realistically depicted the events as they actually took place during the eighteenth century in what is now Paraguay, Argentina, and Brazil. Bibliography lists 6 sources.
Filename: TGmission.rtf

Jewish ‘Otherness' As the Central Theme of 'Gentleman's Agreement' (1947)
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A 5 page paper which examines the concept of Jewish ‘otherness' in American society and how this alienation is depicted in the 1947 film, Gentleman's Agreement. Bibliography lists 6 sources.
Filename: TGgenagr.rtf

Jewish Representation and Racism in Mel Brooks' 'Blazing Saddles' (1974)
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A 5 page paper which examines the way Jews are represented in Mel Brook's 1974 comic Western spoof, Blazing Saddles, concentrating upon racism, exclusion and the Jewish voice in the film. Bibliography lists 8 sources.
Filename: TGblasad.rtf

Jim Morrison - Still Hasn’t Left the Building
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Jim Morrison – Still Hasn’t Left the Building: This 6-page explicative essay details the musical contributions of Doors’ lead singer, Jim Morrison. In addition, his poetry, influences and lasting legacy is examined. Reported to have died in Paris in 1971, by some estimates Morrison is even more famous today. Bibliography lists 5 sources. SNJimmor.doc
Filename: SNJimmor.doc

Jimi Hendrix, the Counter Music Revolution, and the 1960s
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In thirteen pages this paper examines the impact of Jimi Hendrix and the counter music revolution on the American culture of the 1960s. Twelve sources are cited in the bibliography.
Filename: TGmusicrev.rtf

JLrap.wps
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A six page paper which looks at the philosophical view of music’s cultural role, with particular reference to rap and alternative music and the way in which these genres identify and exemplify specific subcultures. Bibliography lists 6 sources
Filename: JLrap.wps

Joanna Baillie's "Count Basil"
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8 pages in length. Along with a handful of other famous playwrights, Joanna Baillie represents the epitome of theatrical feminism. language of the dialogue in Count Basil points the audience toward her conclusion on heroism, masculinity and femininity by way of boldly contesting the path upon which the nineteenth century Baillie saw theater in particular and society in general were heading. Her defiance toward typical social norms enabled the playwright to pursue her feminist perspective upon the otherwise male-dominated stage, which she effectively achieved through characterization. Bibliography lists 3 sources.
Filename: TLCbasil.rtf

Joanna Baillie’s “Orra”
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A 3 page paper which summarizes and analyzes elements in Joanna Baillie’s play “Orra.” No additional sources cited.
Filename: RAorra.rtf

Johann Sebastian Bach
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A 4 page research paper that offers a brief biography of Bach's life, an overview of his style and musical accomplishments, and a musical analysis of his Brandenburg Concerto No. 2 in F Major. Biography lists 2 sources.
Filename: khjsbno2.rtf


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