ESSAYS -
LIST OF AVAILABLE ESSAYS ...
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Cinematic Analysis of “The Bourne Identity”
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A 4 page paper which focuses on the film’s artistic aspects, including its uses of color, mise-en-scene, screenplay, cinematography, and other aesthetic effects. Bibliography lists 1 source.
Filename: TGbournid.rtf

Cinematic Analysis of Baz Luhrmann’s “Moulin Rouge” (2001)
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A 6 page analytical critique that includes plot summary, technical information, symbolism, and a comparison to the 1952 Hollywood musical film, “Singin’ in the Rain.” Bibliography lists 6 sources.
Filename: TGmoulin.rtf

Cinematic Analysis of Brian De Palma’s “Scarface” (1983)
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A 5 page paper which examines how the genre, visual style, narrative structure, sound, editing, and mise-en-scene contribute to the film’s meaning/themes. Bibliography lists 2 sources.
Filename: TGdpscar.rtf

Cinematic Analysis of David Fincher’s “The Fight Club” (1999)
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A 13 page paper which draws somewhat upon feminist film theory to provide a semiological and textual analysis of the film, paying particular attention to how the discourses of gender are played out. Bibliography lists 7 sources.
Filename: TGficlub.rtf

Cinematic Analysis of Edward Zwick’s Film, “Glory”
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A 5 page paper which examines the how the film represents the five key elements of sound, acting, mise-en-scene, photography, and writing. Bibliography lists 2 sources.
Filename: TGglory.rtf

Cinematic Analysis of Empire Records (1995)
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A 3 page paper which analyzes the picture, and in particular, how the music fuels the plot, characterizations, and the audience reaction. Bibliography lists 3 sources.
Filename: TGemprec.rtf

Cinematic Analysis of Kenneth Branagh’s “Much Ado About Nothing” and Baz Luhrmann’s “Romeo and Juliet”
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A 4 page paper which examines how each film uses an unusual choice of setting to reveal new meanings in the respective plays. Bibliography lists 4 sources.
Filename: TGrjmuch.rtf

Cinematic Analysis of M. Night Shyamalan’s “Unbreakable” (2000)
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A 5 page paper which examines the film’s use of mise-en-scene and symbolism. Bibliography lists 4 sources.
Filename: TGunbrek.rtf

Cinematic Analysis of Ridley Scott’s “Blade Runner” and Alex Proyas’ “Dark City” as ‘Dark City Tech Noir Science Fiction’
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A 5 page paper which examines how these films represent hybrids of the generic traditions of science fiction and film noir. Bibliography lists 5 sources.
Filename: TGbrdc.rtf

Cinematic Analysis of Robert Zemeckis’s “Forrest Gump”
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A 14 page paper which examines the 1994 film, particularly concentrating on its innovative uses of cinematography, editing and narrative. Bibliography lists 5 sources.
Filename: TGfgump.rtf