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Papers On Music, Film, Television, Theater & Photography
Page 70 of 310

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Birth of a Nation & The Battleship Potemkin
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A 4 page research paper that examines American director D. W. Griffith's 1915 film Birth of a Nation and Russian director Sergei Eisenstein's 1924 film The Battleship Potemkin, which depict crucial periods during their respective nations' histories. The writer argues that these films rationalize the social and political status quo in each of the director's countries at the time the films were produced. Bibliography lists 3 sources.
Filename: khboanbp.rtf

Birth of a Nation/Cinematic History
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A 3 page research paper that discusses The Birth of a Nation (1915, directed by D.W. Griffith for Epoch; screenplay by D.W. Griffith, Frank E. Woods and Thomas Dixon), which is a landmark film in cinematic history as it was the first important feature-length film, which had a tremendous impact on the nascent industry, as it changed the demographic makeup of film audiences (The Birth of a Nation, 1995). Up to this time, films were generally considered to be a working-class entertainment, but Birth of a Nation opened cinema to a much wider audience, one that had previously preferred only the legitimate theatre (The Birth of a Nation, 1995). Nevertheless, considering Birth of a Nation is also problematic due to this film’s overt racism. Bibliography lists 3 sources.
Filename: khboanch.rtf

Birth of a Nation/Racism in 2 Scenes
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A 3 page essay that discusses this film. Director D.W. Griffith’s “The Birth of a Nation” (1915) debuted as “The Clansman” in California, but was retitled for the world premier in New York three months later (Dirks). While this film is acknowledged to be a cinematic masterpiece by the American Film Institute, it is also recognized as being overly racist in content, as it glorifies and justifies the brutal vigilantism of the Ku Klux Klan during the Reconstruction era (Dirks). The following examination looks at the issue of racism in “The Birth of a Nation” in 2 scenes. Bibliography lists 1 source.
Filename: khdwgbir.rtf

Bjork, A Musical Analysis
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A 9 page research paper that examines the career and music of the Icelandic singer/songwriter known as Bjork. The writer focuses on Bjork's considerable talent as a songwriter, her brilliance as a performer, as well as where she finds the motivation and inspiration to be constantly producing music that breaks new ground. Bibliography lists 7 sources.
Filename: khbjork.rtf

Black Aesthetic Theory and the Film “Chameleon Street”
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This is a 5 page paper discussing the discourse used in terms of black aesthetic theory in the film “Chameleon Street” directed by Wendell B. Harris Jr. Unlike the other films released during the early 1990s by other African-American directors who demonstrated the black urban “other” aspects of black critical theory, Harris’ portrayal of con man Douglas Street whose adaptable persona came to be recognized as the inner African-American psyche in today’s society. Bibliography lists 4 sources.
Filename: TJChame1.rtf

Black culture and outsider culture
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A nine page paper which looks at the development of African-American music and culture with particular reference to the concept of outsider culture, the way in which outsiders are defined, and the extent to which individuals can transcend the boundaries between the majority culture and subcultures. Bibliography lists 6 sources.
Filename: JLoutsafr.rtf

Black Identity and Representation of Blacks in the Film “Gone With the Wind”
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A 4 page paper which examines how blacks are portrayed in the 1939 motion picture epic. Bibliography lists 4 sources.
Filename: TGblackgw.rtf

Black Issues in Pre-Civil Rights Chicago
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This 5 page paper discusses the issues that Lorraine Hansberry raises in her play, “A Raisin in the Sun.” Bibliography lists 5 sources.
Filename: HVRaisin.rtf

BLACK SINGERS AND THEIR INFLUENCE
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This 5 page paper has loads of information on Leontyne Price, Marian Anderson and William Warfield and their connection with one another. Their works, accomplishments are discussed as well as sound clips, video interviews, and audio files. Direct quotes from the singers included. Bibliography lists 6 sources.
Filename: MBblsing.rtf

Blacks in Cinema/Jazz Singer & Gone With the Wind
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A 5 page research paper that looks at The Jazz Singer and Gone With the Wind as pivotal films in cinematic history for black actors. The writer discusses also how these films relate to nineteenth century minstrel troupes and the mythos that was used as rationalization for black subjugation. Bibliography lists 1 source.
Filename: khjsgwtw.rtf


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