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Papers On Music, Film, Television, Theater & Photography
Page 23 of 310

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“The Matrix” -- Looking at the Sociological Aspects of the Movie
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This 5 page report discusses the 1999 movie, “The Matrix,” from the viewpoint of determining what is and what is not reality. If one is awakened from what they have assumed to be reality into a new realm, what is to guarantee that the new “reality” truly is real? The movie itself may also be viewed as cultural production in which the most common sociological features of the modern United States -- race, gender, class -- may be considered in terms of what characters, their backgrounds, ethnicity, gender, and attitudes say about the social realities of both the world outside the “matrix” of the movie and the actual social matrix of life in 21st century America. Bibliography lists 5 sources.
Filename: BWmatsoc.doc

“The Matrix” an Exercise in Social Psychology
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This 7 page report discusses the 1999 movie, “The Matrix,” from the aspect of social psychology. Interestingly, the field of social psychology almost always refers to some specific “matrix”-- the persuasion matrix, the influence matrix, the contingency matrix (and more) -- in which a person interacts with others and through which he or she defines themselves. Could it be possible that the primary purpose of the blockbuster “The Matrix” was to explore the interconnectedness that exists among all those varying types and levels of social and psychological “matrix?” No other sources listed.
Filename: BWsocmat.rtf

“The Matrix” and Personal Awareness and Knowledge
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This 5 page report discusses the 1999 movie, “The Matrix,” from the viewpoint of determining what is and what is not reality. If one is awakened from what they have assumed to be reality into a new realm, what is to guarantee that the new “reality” truly is real? Is there a rational way to know what is or is not real? No secondary sources.
Filename: BWmatrix.wps

“The Matrix” and the Foucauldian Power Structure, Emma Goldman and Simone de Beauvoir
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A 6 page paper which examines two distinct topics. First, it considers how the 1999 film, “The Matrix” can be viewed as an example of the power structure described by French philosopher Michel Foucault and then compares and contrast radical twentieth-century feminists Emma Goldman and Simone de Beauvoir. Bibliography lists 2 sources.
Filename: TGmatrix.rtf

“The Matrix” as a Dystopia: Fears, Anxieties and Tendencies in Today’s Society as Depicted in a Futuristic Vision
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This is a 5 page paper discussing the film “The Matrix” as a dystopia. The 1999 Wachowski brothers’ film “The Matrix” reflects the most severe fears and anxieties within today’s society in regards to a futuristic world as a “dystopia”. Opposite of More’s idealistic world portrayed in his work “Utopia”, the literary term “dystopia” refers to a “bad place”. Since the industrial revolution and more recently the computer and information revolution, society’s fears of possible negative results from growing technological achievements have been reflected in literature and cinema. While currently cyber-technology, that which is related to the computer world and artificial intelligence, is being promoted as a positive element within society in that humans are able to access free information and share information on a global scale, the film “The Matrix” portrays more so that element not promoted within technological circles, that is, the negative and de-humanizing aspects of cyber-technology which robs human of their individuality from a physical and mental perspective and uses humans for the proliferation and eventual dominance of artificial intelligence. Bibliography lists 3 sources.
Filename: TJMatrx1.rtf

“The Metamorphoses” on Broadway
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A 6 page review of the Broadway production “The Metamorphoses” written and directed by Mary Zimmerman. Bibliography lists 10 sources.
Filename: RAmet.rtf

“The Mission” Starring Jeremy Irons, Robert DeNiro and Cultural Imperialism
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This 12 page report discusses the invasion of the European world to the “new” world that often took place under the guise of promoting Christianity and saving native people. “The Mission” captures the hopelessness and ultimate destruction that took place because of such domination. As the movie unfolds in truly remarkable cinemagraphic beauty (it won the Oscar for cinematography), it becomes clear that it is not the Indians who are in need of salvation. Bibliography lists 4 sources.
Filename: BWmishun.wps

“The Other Side of Heaven”
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This 3 page paper discusses the movie “The Other Side of Heaven” and how it relates to Hofstede’s and Trompenaars’s value dimensions. Bibliography lists 3 sources.
Filename: HVothsde.rtf

“The Scarlet Letter”
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A 3 page paper which examines the novel “The Scarlet Letter” by Nathaniel Hawthorne, and then contrasts the novel to the film. Bibliography lists 2 sources.
Filename: RAscar1.rtf

“The Texas Chainsaw Massacre” as Alternative Film
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A 7 page paper which examines the Tobe Hopper’s “The Texas Chainsaw Massacre” as alternative in film genre. Bibliography lists 10 sources.
Filename: RAtexasc.rtf


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