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James Joyce's "The Dead" And Virginia Woolf's "The Legacy": Relationships
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5 pages in length. Love is often not enough to sustain a relationship between two people, which has been effectively demonstrated in both The Dead and The Legacy. Joyce's Gabriel and Gretta Conroy and Woolf's Gilbert and Angela Clandon represent the epitome of disguise by existing within a relationship under the illusion of love. The writer discusses how the Conroy's and the Clandon's address the issue of marriage in very different ways. No additional sources cited.
Filename: TLCwoolf.doc
James Joyce's "Ulysses"
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A five page paper discussing the degree to which Joyce's personal biography and historical times manifest themselves in this complex twentieth-century novel. The paper concludes that while "Ulysses" is not autobiographical in a literal sense, it replicates a slice of Dublin life and relates it to humanity as a whole. Bibliography lists four sources.
Filename: KBulyss3.wps
James Joyce's A Portrait Of The Artist As A Young Man
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Possibly the
most well known fact about James Joyce is that he was born in Dublin.
This 10 page paper asserts that the things that are most important to
James Joyce as a young man, his family, community and the Ireland he
loved so well, were reflected through the social and political settings
of the book while his style of writing: stream of consciousness,
modernist realism and expressionism, allows the reader a fuller
understanding of Joyce himself - through the exploration of the
character Stephen Dedalus. Bibliography lists 6 sources.
Filename: KTjamjyc.wps
James Joyce's Dubliners - Mrs. Mooney of The Boarding House
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In 3 pages, based on the story "The Boarding House," from James Joyce's "Dubliners," the author argues that Mrs. Mooney is a good mother trying to do what is best for her daughter. Several examples are given to support this theory. No other sources are cited.
Filename: PCdbhm.doc
James Joyce’s “A Portrait of the Artist as a Young Man”
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This 6
page report discusses Joyce’s 1916 novel and the ways in which
its main character, Stephen, wrestles with the idea of becoming
an artist, what an artists must be, and how an artist evolves.The
questions regarding becoming an artist that Stephen deals with
are similarly universal -- doubt, fearfulness, mistrust, and an
almost arrogant sort of determination. No secondary sources.
Filename: BWjjport.wps
James Joyce’s “Portrait of the Artist as a Young Man” and the Discovery of
Language by Stephen Dedalus
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This 4 page report discusses Joyce’s novel and looks at
the ways in which the main character, Stephen Dedalus, experiences language and finds
the experience as both bewildering and painful. Bibliography lists 3 sources.
Filename: BWporman.rtf
James Joyce’s “Ulysses” and Challenges to the Norms of Language
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This 8 page report discusses Joyce’s 1922 epic “Ulysses” and the
various events of a single day in Dublin in June of 1904, and the
focus on Stephen Dedalus, Leopold Bloom, and Bloom’s wife, Molly.
The report demonstrates the ways in which Joyce demonstrates his
ability to challenge both the norms of the English language as
well as the framework of the modern novel in terms of
consciousness and understanding on the part of both the story’s
characters and the readers of the novel. Bibliography lists 5
sources.
Filename: BWjjulys.wps
James Joyce/"The Dead"
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An 8 page research paper that examines Joyce's short story "The Dead." The writer argues that through this narrative, Joyce shows readers that life is duality -- corporal and spirit. The essence of the narrative demonstrates that the living exist within the context of what came before them, that we are all the products of our past, both as a society and individually. Bibliography lists 6 sources.
Filename: khjjdead.rtf
James Joyce/Araby
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A 5 page essay that examines James Joyce's use of point of view in his short story Araby. The writer argues that the tight use of the first person perspective is what gives this story so much of its flavor and complexity. No additional sources cited.
Filename: khjjar.rtf
James Joyce/Araby
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A 5 page essay that considers the meaning and interpretation of this famous short story. The standard interpretation of James Joyce's short story "Araby" is that it is a coming-of-age narrative that recounts a young romantic boy's first bitter encounter with reality, as he realizes the fickle nature of women. However, as Frank Coulthard points out, there is another way of viewing this story. This interpretation argues that the true protagonist of the tale is not the romantic boy, but rather the older, embittered adult narrator who is relating this story. Considering this interpretation, Coulthard argues that the point is not that reality is tough, but rather that the repressive nature of the Dublin culture causes the boy to not only judge his hopes as foolish, but sinful (97). The writer argues this perspective. Bibliography lists 3 sources.
Filename: kharab4.rtf
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