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Papers On Literature
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Ibsen's "A Doll's House" - Masculinity And Marriage
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12 pages in length. Gender construct, built around the patriarchal perspective, has long been a principle focus of theater and cinema. The extent to which the issues of masculinity and femininity are regularly used as central themes is both grand and far-reaching; that such depictions have become fundamentally stereotypical in nature speaks to the dilemma of truly being able to define masculinity within a social context. Ibsen's A Doll's House is one of many theatrical illustrations of this observable fact in the way it pits the dominating husband against the submissive wife and spotlights the misery she experiences from being an emotional prisoner in her own marriage. While these social constructs have changed to a great degree since Ibsen penned his play, there is still enough residual support of this patriarchal ideology to warrant it ongoing in the twenty-first century institution of marriage. Bibliography lists 3 sources.
Filename: TLCdollhsmasc.rtf
Ibsen's "A Doll's House": Suitable Title?
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5 pages in length. The irony of Henrik Ibsen's A Doll's House – and thereby justifying the suitability of titling his play the same – is discovered early on in the story by way of the author's shrewd use of language, as one realizes the inner conflict that resides within the main character. Nora is never quite able to find her real purpose in life, despite the fact that she spends her entire existence attempting to do so. Both "unmade [and] incomplete" (Steele 01E), Nora discovers that "everything is a lie, the whole society is a lie. She must go out and find the truth" (Steele 01E) both about herself and those around her in order to gain the courage she does not possess being locked away in her safe, secure yet stifling "doll house" of a life. Bibliography lists 4 sources
Filename: TLCdolhs.rtf
Ibsen's A Doll's House
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The duality of life often takes unexpected
turns in literature. The juxtaposition of good and evil, honest and
dishonest and the real and the imaginary become the foundation for the
building of a character, plot and the tension that brings an audience
into the work. This 7 page paper argues that in A Doll's House, by
Henrik Ibsen, there are elements of all of these dualities in which the
audience becomes enmeshed and the characters defined. Bibliography
lists 6 sources.
Filename: KTibdoll.wps
Ibsen's Nora and Sophocles' Antigone
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This 7 page report discusses
the idea that there are definite similarities between the primary
female characters -- Nora and Antigone -- in "The Doll's House"
and "Antigone." Bibliography lists only the two primary sources.
Filename: BWannora.rtf
Ibsen's The Dolls House; A Representation of the Dualistic Nature of Society
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This 5 page paper considers the way in which this well known play demonstrates the dualistic nature of society at both an individual level as well as on the wider scale. The roles of Nora, Torvald and even Krogstad emphasise that they live simultaneously in different worlds of their own making, it is the extent to which they dominate that is the influence in their lives, not whether or not they exist. The bibliography sites 1 source.
Filename: TEdolhoe.wps
Ibsen’s Ghosts and Freudian Psychology
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A 3 page paper which examines the
parallels that exist between Henrik Ibsen’s “Ghosts” and Freudian concepts.
Bibliography lists 3 sources.
Filename: RAibfrd.rtf
Ichabod Crane vs. Brom van Brunt
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This 3 page paper explores the rivalry between Ichabod Crane and Brom van Brunt in "The Legend of Sleepy Hollow." It also explores their relationship with Katrina van Tassel, and contrasts them with one another. Bibliography lists 3 sources.
Filename: HVCraBro.rtf
Idealism in Eliot's "Silas Marner"
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A five page paper tracing the various levels of idealism in George Eliot's novel. The paper concludes that Silas' original idealism is warped into materialism when he is falsely accused of a crime, but then his faith in humanity returns through the help of a child. Bibliography lists two sources.
Filename: KBmarner.wps
Idealism/The Awakening & The Great Gatsby
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A 5 page essay that argues that Kate Chopin in The Awakening and F. Scott Fitzgerald in The Great Gatsby each create protagonists who are tragically doomed due to their idealism. Chopin's female protagonist Edna Pontellier's idealism concerns her expectations concerning her role as a woman in nineteenth century patriarchal culture. Edna cannot reconcile the reality of her life with her idealized vision of what she thinks life should be. Likewise, Jay Gatsby has an idealized perspective on reality. Putting his faith in the American Dream, which turns out to be an illusion, Gatsby can never fully achieves his vision of idealized love. No additional sources cited.
Filename: khgatcho.rtf
Idealized Children In Romantic Literature
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The romantic writers of the
Victorian era included such notables as William Wordsworth, Emily and
Charlotte Bronte, Charles Dickens and Lewis Carroll. This 10 page paper
argues that, within the Romantic literature, the child became the
metaphor for society, including social stratification, changing gender
roles and the loss of innocence in a world quickly becoming reliant on
technology. Bibliography lists 9 sources.
Filename: KTchdrom.wps
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