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Papers On Literature
Page 384 of 1034

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Class in “The God of Small Things” and “Moth Smoke”
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A 4 page paper which examines the issues of class in “The God of Small Things” by Arundhati Roy and “Moth Smoke” by Mohsin Hamid. No additional sources cited.
Filename: RAmoth.rtf

Class in American Literature
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This 10 page thesis paper explores the proletarian movement in the thirties. The paper supports the idea that literature highlighting class differences spans the entire twentieth century. The works which are a primary focus is Sinclair's The Jungle and Odets's Waiting for Lefty. The concept of class is viewed in terms of how it is portrayed in American literature as well as its relationship with political ideology. Bibliography lists 4 sources.
Filename: SA020Lit.rtf

Class in British Literature
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A 5 page paper which examines how social classes have been represented throughout British literature, and includes the representation of classes in works by Robert Browning, Lord Alfred Tennyson, Charles Dickens’ “Oliver Twist,” Mary Shelley’s “Frankenstein,” and E.M. Forster’s “A Passage to India.” Bibliography lists 12 sources.
Filename: TGbrilit.rtf

Class in Charlotte Bronte's "Jane Eyre"
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An eight page paper looking at the way Bronte's title character is able to develop a sense of personal autonomy despite the restrictiveness of the class structure of Victorian society. The paper shows how Jane is able to triumph through assertiveness and a strong, distinctly unfeminine will. Bibliography lists six sources.
Filename: KBeyre2.wps

Class in Honky and Nachman from Los Angeles
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This 3 page paper looks at the way class is presented in two works; Honky, by Dalton Conley and Leonard Michaels Nachman from Los Angeles. The paper considers how social class is perceived and p-resent by the author and the way that class differences manifest throughout the texts. The bibliography cites 2 sources.
Filename: TEconleyclass.rtf

Class Stratification in Literature
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This 5 page paper provides an overview of two stories--Maupassant's The Necklace and Dostoevsky's Notes from Underground--and looks at how class plays out in each. The problem of class in society is also discussed in general. No additional sources cited.
Filename: SA220cls.rtf

Classic Literature (Margery Williams’ “The Velveteen Rabbit”) and Children
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A 3 page paper which examines if this classic literary work, first published in 1922, still appeals to contemporary children. No additional sources are used.
Filename: TGvelrabt.rtf

Classical and Literary Traditions in Literary Criticism
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This 10 page report discusses the fact that even though the classical and the romantic traditions of criticism in literature both deal with literature, each views it from entirely different perspectives. In the “classical” tradition of literature the primary issue is one in which the definition of the work is stated through what has been determined throughout the history of Western literature as the framework in which a literary work appropriately exists. In comparison, the assumption that sensation must surely be preferable to thinking serves as an example of the ways in which the Romantics elevated emotion over reason, and what they perceived to be the true nature of life rather than that constructed by humanity. Bibliography lists 5 sources.
Filename: BWcltrad.wps

Classics and Christianity in Milton’s “Paradise Lost”
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A 7 page paper which examines the conflicts between classics and Christianity in Milton’s “Paradise Lost.” Bibliography lists 5 sources.
Filename: RAmltlst.rtf

Classics and the Humanities in the 21st Century
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A 5 page paper which examines the classic tales "Inferno" by Dante and "Canterbury Tales" by Chaucer in terms of their journeys and spiritual pursuits. The paper also examines how the study of humanities, as it involves such classic tales regarding personal searching, may be incredibly beneficial, and relevant, to the 21st century. Bibliography lists 1 additional source.
Filename: RAhmnt21.rtf


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