ESSAYS -
LIST OF AVAILABLE ESSAYS ...
Select any essay below and it WILL be delivered to you TODAY via your choice of e-mail or fax! --Only $/pg!-- The bibliography page(s) are always FREE!

18th Century Italian Baroque Ceilings
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A 10 page paper which illustrates how the elements of the art in 18th century Italian Baroque ceiling paintings strongly reflect and support the beliefs of the time period. Bibliography lists 6 sources.
Filename: RAbaro18.rtf

1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial
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In eight pages this paper examines how Welles’ utilized architecture and lighting in his 1962 film The Trial to communicate what was happening in Berlin and the rest of Germany during the 1920s, with German Expressionism among the topics of discussion. Four sources are listed in the bibliography.
Filename: TGowtrial.rtf

19th Century Graphic Design and the Gutenberg Galaxy
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“The Gutenberg era...is a consistent series of static shots or 'fixed points of view' in homogenous relationship. Homogenisation of men and materials will become the great programme of the Gutenberg era, the source of wealth and power unknown to any other time or technology” [Mcluhan, M, The Gutenburg Galaxy(1962)]This 5 page paper looks at this quote and uses three examples of graphic design from the 19th century to show how the era of print ushered in the concept of 'the static or fragmented shot' and 'homogenisation of men or materials'. The bibliography cites 6 sources.
Filename: TE19guten.rtf

19th Century Images and African Americans
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A 3 page paper which examines how the 19th century images of African Americans reflects their experiences. Bibliography lists 1 source.
Filename: RA19afam.rtf

2 Davids/Donatello & Michelangelo
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A 5 page research paper that contrasts and compares two great works of art -- the "Davids" sculpted by Donatello and Michelangelo. The writer relates these two works to the political situation of Florence and discusses the significance of these works to art history. Bibliography lists 4 sources.
Filename: kh2daves.rtf

2 Dutch Masters, Leyden and Steen
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A 6 page research paper that examines two Dutch paintings, "Twelfth-Night Feast" by Jan Steen (1662), and "Moses and the Israelites After the Miracle of Water from the Rock" by Lucas van Leyden (1527), and discusses the prominent features of both paintings, in terms of what sources indicate about the artist's life and possible intentions in creating each work. Bibliography lists 5 sources.
Filename: khjsalvl.rtf

2 Questions/Review of a Speech
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A 5 page research paper that, first of all, answers 2 questions pertaining to training issues and the transfer of knowledge. Then the writer reviews a movie clip of a speech by Steve Uzell on problem solving, artistic inspiration and its relationship to art and science. Bibliography lists 1 source.
Filename: khuzell.rtf

20th Century Art at the Museum of Fine Arts, Houston
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This 3 page paper discusses 3 separate works housed at the Museum of Fine Arts in Houston. Bibliography lists 3 sources.
Filename: HVMFAHou.rtf

20th Century Computer Graphic Design
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30 pages in length. There have been myriad technological advances throughout the past one hundred years. Indeed, the twentieth century turned out to be the springboard for the unprecedented advancement in the graphic design industry, effectively availing entirely new and divergent concepts with which designers can create. From meager beginnings, the graphic design industry has progressed into a much utilized and highly respected enterprise. The writer discusses various changes and occurrence influential to the 20th century graphic design industry, including the transition from 2D to 3D; the incorporation of feng shui; and the issues of gender inequality. Bibliography lists 18 sources.
Filename: TLCgrf20.doc

2D And 3D Art: Dimension Comparison
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5 pages in length. When one considers the fact that painters are two-dimensional artisans and sculptors represent three-dimensional art, one can readily surmise that while the two artistic modalities appear to have little in common with each other, the sculptor gains a significant amount of his craft from the presence of two-dimensional application. Even within the narrow boundaries of print art, the painter is able to transform his two-dimensional art into a three-dimensional creation with nothing more than a stroke of a brush. How is this possible? The writer discusses that for the painter this transformation requires only light; for the sculptor, the requirements are much more sophisticated. No bibliography.
Filename: TLC_2D.wps